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StandartinėParašytas: 2010-03-10, 19:10 
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Pagaliau nunešiau kažkiek į "Ragainę", kam dar įdomu.

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Tris su puse minus plius minus okej milijardus muris nurus ektus ikturus altus piktus agus alekurus mirus alciktus mouris centurus mirus miatus.


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StandartinėParašytas: 2010-03-10, 20:02 
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o vilkduja/obssr nunesei? vakar su draugais is londono buvom uzeje, norejo nusipirkt ir nemaje.

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behold the death of all your beliefs


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StandartinėParašytas: 2010-03-11, 01:01 
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LABAI mažai liko. :) Gal tex biskutį nunešt... :]

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Tris su puse minus plius minus okej milijardus muris nurus ektus ikturus altus piktus agus alekurus mirus alciktus mouris centurus mirus miatus.


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StandartinėParašytas: 2010-06-28, 10:47 
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OORCHACH/POGROM, split cassette
Terror, 2010
Oorchach's side begins with a modulated, single note pulse that is soon covered in bleak sounding vocal sample loops and whirling echoes. This piece seems to serve as an introduction of sorts, though. “Titnaginiai Horizontai” is a sleazier sounding piece, creeping sounds moving slowly and darkly towards an actually quite pleasant (yet still pretty sleazy sounding) soft drone of a piece. “Pauksciani Nesa Sielas Namo” returns to single bass note mode which starts sparsely (some very nice sounds mixed in the background) before bringing in a fuller and more threatening base for declaimed vocals, the most distinct so far. A cold, PE vibe. All up, Oorchach are good but not brilliant; the emphasis is on control and careful mixing of sounds which is always important but there seems to be something missing, emotionally. Perhaps a bit too cold and restrained for my liking. This will appeal to those who like their Industrial careful and considered.
As opposed to Pogrom. Not that there is a lack of care, but the contrast is stark in so far as style is concerned. The unabashed use of pure feedback, the lower fidelity mix, the more up-front harshness, the greater eagerness of the vocals, and the lack of restraint on excitement and anger makes recordings I can wholly get into. The sound is dark and muggy and the use of pure electronics, metal and feedback is based more on immediate impact rather than jerky, high-pitched wanking. The question here is one of originality; there is hardly any. If you've got a Bizarre Uproar album, you've heard this. The exception is “Zvarbus Tytas Zieminej”, with it's clever use of metal sound, both slightly rhythmic and slow scrape and collapse, and the lovely, chanted vocals in the echoed background. For me, the most effective piece, for its evocative sound and mood, but not to the exclusion of the rest. It's the contrast that makes the whole side successful.
The tape comes with an elegant, cardboard packaging made up to look like an old newspaper from, it would seem, last world war times. It suits the contents admirably.


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